During the next three days, you will participate in the ceremonial traditions of the Jiji festival. Additionally, you will have the opportunity to visit the following prominent tourist destinations:
The Choedey Monastery, situated in the northwestern section of the walled city, serves as the primary Gompa in the area. This Gompa encompasses many monastic activities such as Buddhist text education, Buddhist ritual execution, and instruction in Buddhist philosophy, among others. Additionally, it is responsible for the conservation of Buddhist antique thanka paintings, valuable religious texts, and historical monastery artifacts. This monastery is affiliated with the Igor Sakya lineage of Tibetan Buddhism. In the 17th century, King Sabdung Rapten summoned his religious instructor Jamgong Ngawang Kunga Sonam to Lo-Manthag. During his stay at the Choedey Monastery in Lo Manthang, Jamgong Ngawang Kunga Sonam developed the famed Tiji celebrations, which include ceremonial dances performed by the Lama. The monastery also has a museum that showcases an extensive collection of old paintings, sculptures, scriptures, and copper artifacts pertaining to the ancient culture of Lo-Manthang and the whole Lo kingdom.
The Jampa Lhakhang monastery is situated in the Jampa Thang region, which is part of the city of Lo-Manthang. The Buddhist temple located inside the Walled city is the most ancient, with its construction dating back to the years 1447 and 1449. The monastery was constructed by Agon Zangpo, the son of King Ama Pal, and was dedicated by Ngorchen Kunga Zangpo, the founder of the Ngor sub-school, on his third visit to Lo-Manthang. The complex is a three-story building adorned with Mandala paintings on the walls, showcasing the exceptional artistry of renowned painters from Kathmandu and Dolpo. The temple showcases the Newari art and architecture via its courtyard and wall murals. This temple is also affiliated with the Ngor clan of the Sakyapa school of Tibetan Buddhism. The temple is often referred to as Maitreya Bihar because to the presence of the seat of the Maitreya Buddha, who is the future Buddha.
Thubchen Lhakhang is a prominent temple in the city of Lo Manthang, situated southwest of Jampa Lhakhang. The temple is a single-story structure supported by 49 meticulously adorned columns. The construction of this monastery took place in 1470, during the reign of the 3rd monarch of Lo-Manthang, Tashi Gon. The temple's artworks, texts, and sculptures exhibit a significant influence of Newari art. The hall is of considerable size and has a dominant reddish hue. It is adorned with excellent murals depicting the Kalachakra and different Mantras, which are prominently displayed on the walls. The temple also showcases ancient wooden carvings. The Lhakhang has a spacious hall and many tiny chambers to facilitate a big assembly of Lamas for the ceremonial activities conducted during the occasion. Additionally, it conducts regular religious rituals inside the temple premises. This temple offers a distinct fusion of palpable and invisible cultural elements.
The Tashi Lhundupling Palace serves as the primary residence of the monarch of Lo Manthang, however there are several more palaces scattered around the province. The construction of this palace was commissioned by Ama Pal, the inaugural ruler of Lo-Manthang, in the year 1440 AD, after the establishment of the autonomous kingdom apart from the larger kingdom of Ngari. Prior to the erection of this palace, the capital city of Lo was located at Tsarang. Subsequently, the capital was relocated to Lo-Manthang and the Tashi Lhundupling Palace was built. The architectural design of the palace building closely resembles that of the surrounding residences, with a two-story rectangular form with a white mud-colored exterior. However, the palace structure stands out due to its five stories and a roof adorned with black mud, symbolizing its status as a palace. The royal family occupies the fifth story, while the fourth floor is designated for the storage of religious texts, pictures, and other related objects. The fourth story is furthermore used during the renowned Teji celebrations. The palace structure is adorned with expansive windows and oriented towards the east. The Tashi Lhundupling Palace has great significance for both Lo-Manthang and the whole region of Lo, as it serves as a symbol of the distinct cultural history of Lo.
The Amchi Museum has a comprehensive collection of Tibetan Medicinal Herbs sourced from the Himalayan region. The museum also showcases the traditional approach to treating ailments using specialized procedures that have been passed down through generations. Amchi Gyatso founded this museum in 2008 with the goal of preserving ancient medicinal treatments that provide patients a unique and side-effect-free therapy. The Tibetan medical therapy is thought to have originated from the teachings of the Medicinal Buddha, shown holding the fruit of aura on his right-hand side. This therapeutic approach primarily emphasizes the spiritual aspects of individuals in the process of healing any sickness. The medication is also being prepared using the appropriate ceremonial procedure. The inhabitants of the Himalayas have a long-standing tradition of associating every activity with religion. Nevertheless, visitors have the opportunity to undergo the distinctive ancient therapeutic approach offered by this institution.
The Dzong Phug Cave is a prominent cultural heritage site in the settlement of Chhoser. The word Dzong Phug refers to a cave that is often known as a "fort cave". The cave exhibits remnants of an ancient society that existed around 25,000 years ago. The creation of the cave-based habitation may be inferred as a means of safeguarding against other tribes. Local inhabitants have developed their own mythology and narratives around it. The living space inside the cave is equivalent in height to a five-story structure, which can be easily deduced by studying the openings on the outside of the cave. The cave has over 40 meticulously crafted cottages, each serving a specific function such as a bedroom, kitchen, or bathroom. The residue of the smoke lingers on the wall and ceiling. Each level of the cave is equipped with a lengthy hallway, and the floors are interconnected by a ladder to facilitate vertical movement. The cave's apertures, functioning as windows, provide a breathtaking panorama of Chhoser and the neighboring settlement, together with their surrounding terrain. The local Youth club of Chhoser village is responsible for overseeing the administration of the cave activities.
The Nub Phug Ling monastery is a prominent cultural heritage site in the Chhoser village. The architecture of the monastery distinguishes it from other monasteries in the vicinity. The title "Nub Phug" translates to "west cave," referring to the location of the monastery on the western side of the cave in Chhoser hamlet. The monastery is partly built using the cave as its foundation, while the other half is erected as a building construction. The entrance to the monastery is accessed by a staircase that ascends directly, providing a breathtaking perspective of the lovely surroundings. Within the monastery, one may see the Mandala murals and the multitude of Buddha figures, which regrettably suffer from a state of deterioration owing to inadequate conservation measures. The floral embellishments adorning the Mandala paintings on the ceiling are indicative of the artistic style prevalent throughout the 12th and 13th centuries. The wall paintings are executed in two separate styles, depending on the kind of wall - either cave or mud - which may be easily seen. However, the Nub Phug Ling monastery exemplifies the progressive evolution of art in human civilization via its comprehensive perspective.
Gar Phug Gonpa is a religious monastery in Chhoser village that has significant historical and cultural value. The building of the monastery was carried out by a succession of Lamas. The monastery's scripture states that it was first constructed by Lama Siji Gyatso, who originated from the Kham region of Tibet during the 17th century. Later, the third Lama Rigzin Tsewang Norbu finished it when King Tenzin Wangyal of LoManthang was in power. The monastery had a comprehensive reconstruction and was also relocated from its original position under the tenure of Lama Tenzin Nurbu. Formerly, the monastery was affiliated with the Kagyu lineage of Tibetan Buddhism, and it now maintains connections with both the Kagyu and Nyingmapa schools. The inside of the monastery is adorned with art, architecture, and sculpture from many historical periods. The sculptures discovered at this location may be accurately attributed to the 12th or 13th century. The sculptures of Buddha in this Gomba exemplify the Newari style. The physical structures of the building and the paintings can only be dated back to a period of 180 to 200 years.
[Meals provided: Breakfast, Lunch, Dinner]
Stay in a teahouse for one night.